Jo Randerson's plays are vibrant, irreverent and often surprising; Jo has the ability to be simultaneously disturbing, incongruous and extremely funny.
I like the fact that we are doing Fold, first done at BATS, Wellington, in 1995, directed by Jean Betts, with a cast including Loren Horsley and Jackie van Beek, women who continue to work in New Zealand theatre and film.
Fold is tasteless and baffling at times, and playful: characters change underwear 5 times, but 'not in a sexual way' to steal a line from Cow.
And for Cow, I'm especially happy to have inherited, from the Auckland Theatre Company, an imaginative stage cloth designed by gifted emerging scenic designer Jessika Verryt.
Last year when we were reading New Zealand short plays, suitable for young casts, we read other works by Jo.
Some of those lines have stayed with me, because I see threads of them in Cow and Fold, and also because they are just so true:
"You can't always let yourself think too much about it. You've got to talk a lot." ( The Lead Wait)
"People don't always say what they mean. People don't always know what they mean." ( The Honey Bear and the Reaper)
This company and I really hope you respond to the verve and spirit of these two early Jo Randerson plays.
Gaye Poole April, 2012
Take a look at snippet of a scene from our dress rehearsal of