Staging contemporary theatre for Waikato audiences

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Artistic Director

Gaye Poole

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Gaye spent years as a professional actor with the Queensland Theatre Company (Brisbane), the Hole in the Wall Theatre (Perth), The Old Tote Theatre Company and Marian St Theatre (Sydney). Roles she recalls with particular affection: Eurydice in Jean Anouilh’s Point of Departure and Lady Teazle in Sheridan’s The School for Scandal. She also had huge fun doing pub theatre in Newtown, Sydney.

Since moving to New Zealand Gaye has directed Carving in Ice shows Cosi (2007), Half Life (2007), Marmalade: 3 short New Zealand plays (2008), Compleat Female Stage Beauty (2008), Neighborhood 3: Requisition of Doom (2009), The Dispute (2010), W;t (2010), Away (2011), and Aftershocks (2011).

For Theatre Studies at Waikato she has directed: The Laramie Project (2006), Pride and Prejudice (2009), Attempts on her Life (2009), and The Last Days of Don Juan (2011).

Gaye has taught Theatre Studies and Film Studies at the University of New South Wales, Australia, the University of Newcastle, Australia, University of Lodz, Poland, and for shorter periods of time at the University of Debrecen, Hungary and the University of Turku, Finland.

Particular recent professional highlights since working at The University of Waikato have included an International Office staff exchange to the University of Aristotle, Thessaloniki, and a period of Study Leave as an assistant director at the Humana Festival of New American plays, in Louisville Kentucky, where she worked on Lee Blessing ‘s Great Falls. There Gaye met playwright Jennifer Haley; that contact led to 2009's Carving in Ice staging of Neighborhood 3: Requisition of Doom.

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About us

The metaphor of Carving in Ice evokes the transience of theatre. Ice sculptures are crafted by artisans whose sculptures last only for a short while, then melt and disappear. Theatre too is ephemeral in its nature; once the season is completed, the existence of the play, the shapes, sounds, movement in space, the light on actors’ skin disappear from view – but as with ice sculptures the traces of the experience continue to live on in the minds of those who were present.

Contact us

 

Email: info@carvinginice.co.nz

         director@carvinginice.co.nz

         publicity@carvinginice.co.nz